Fortunately, the fall term of MBA at GWU School of Business did not kick in into the high gear yet, and I can take some time to relax without going into great bouts of stress. Even though it is going to change very soon, as the first module is almost half-way through, and I have my first deliverable this week already. So the pressure is definitely ramping up.
However, I was still able to catch the last moments of lull this past weekend. I went to Synetic Theater with my wife and elder daughter to watch Shakespeare’s Macbeth. Undoubtedly, the play itself lends a lot to the thriller part of the Synetic’s production. But the way they have been able to super-charge it and turn into a live high action show is truly amazing. I have been to quite a few of the theater’s shows in the last few years and I already mentioned that I am repeatedly astonished with how they manage to bring something new in both interpretation and implementation of the classic text every time without fail.
Since Synetic is performing in the genre of physical theater, most of their performances are a fine blend of drama, music, choreography, and even acrobatics. So most of the shows are quite dynamic, but this time I was finally able to articulate to myself the catch phrase to describe it. This is the phrase I used for the post title: high-octane action-packed live thriller. And the only way to truly understand what it means is to see it with your own eyes. So you have a chance to witness this true marvel, but only till October 2nd.
True to my mind-set influenced by the MBA experience though, I had a nagging thought at the end of the show. The show had been on only since Thursday, and it was a Saturday night when I went to see it. Nevertheless the theater was filled only about half. I am aware about the problems with attracting, or rather creating new theater-goers in our time. And I am confident that Synetic attracts a lion’s share of the theater-going public in the DC area. Still I believe that given their unique unmatched talent and the genre of the physical theater in general they have an appeal and potential to attract much broader audience not only in terms of demographics, but even geographically. In my opinion, with proper marketing they should not have any trouble to fill their shows and have people scapling tickets before the shows, just like Bolshoy Opera and Ballet don’t have issues with filling the Kennedy Center on their tour to Washington, DC.
Anyways, something to think about.
My other reflections on the Synetic shows:
Othello by Synetic Theater
Synetic Theater’s ‘Antony and Cleopatra’
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